Web of Lies/Death Won’t Even Satisfy, by AMMO
On their debut full-length Web of Lies/Death Won’t Even Satisfy, AMMO reminds us that hardcore punk can embrace more musical diversity than we tend to think.(...)
Russia 1985–1999, by Adam Curtis
Adam Curtis is a collagist who deals with ideas and their emotional impact.(...)
Berlin: Symphony of a Metropolis, by Walter Ruttmann
Walter Ruttmann’s 1927 film Berlin: Symphony of a Metropolis is strangely suited for these times, when traditional moviegoing is in perilous decline, providing a way to disentangle the art of cinema from that mode of consumption.(...)
A Brief Moment in the Sun, by Soulside
That the first song on Soulside's new LP ends with a sample from a 1952 American civil defence film Duck and Cover, about a nuclear apocalypse, says it all.(...)
Culture from the Slums, by Jeff Hayton
Based on the flurry of academic titles about it over the last decade, punk has become as common to college curriculums as it is to the Top 40. Why this took so long is baffling.(...)
Climatic Rock, by Anduela Keku
The two tracks on Anduela Keku’s new EP Climatic Rock take listeners through a seemingly barren wasteland, a space defined by monotony, with nothing to focus on but the road ahead.(...)
Sergio Leone’s Fistful of Dollars
Because Sergio Leone didn’t make films set in Europe or ones that obviously dealt with the continent’s problems, he has been excluded from the pantheon of its greatest postwar auteurs: Cocteau, Bergman, Fellini, Godard, Fassbinder, Truffaut, and Antonioni. (...)
Non-things: Upheaval in the Lifeworld, by Byung Chul-Han
When talk of the “information age” first began in the 1960s, it implied optimism. Information is knowledge, of which more is better than less, generally speaking.(...)
