Sleaford Mods’ UK Grim
If the UK had gone in a different direction over the past decade, if its leaders had remembered the people who slaved to make it great, Sleaford Mods might have become one of those novelty acts that disappear from view after a song or two.(...)
Speaker Music’s Black Nationalist Sonic Weaponry
Combining elements of minimal techno in the great African American tradition of Detroit and Chicago with dubstep, avant-garde jazz, and spoken-word, Speaker Music's new “emergency” album Black Nationalist Sonic Weaponry delivers bass that is as compelling as it is challenging. (...)
Deadbeat and Paul St. Hilaire’s 4 Quarters of Love and Modern Lash
“War Games”, the opening track of Deadbeat and Paul St. Hilaire’s 4 Quarters of Love and Modern Lash, begins with the spacious minimalism perfected by the Rhythm & Sound records St. Hilaire sang on as Tikiman in the 1990s. (...)
Zenobia’s Halak Halak LP
It doesn't take long to place Zenobia's new album Halak Halak – which translates as a slangy “Welcome, Welcome!” – in the Middle East.(...)
The Case for Slowthai
Whenever a record receives as much attention as British rapper Slowthai’s debut LP Nothing Great About Britain has, it can be hard to hear. (...)
Pinch’s Border Control EP
From its opening moments, the new Border Control EP from Bristol dubstep legend Pinch channels the time when that culturally and geographically eccentric city in the western United Kingdom felt like the centre of the universe. (...)