Climatic Rock, by Anduela Keku
The two tracks on Anduela Keku’s new EP Climatic Rock take listeners through a seemingly barren wasteland, a space defined by monotony, with nothing to focus on but the road ahead.(...)
Sergio Leone’s Fistful of Dollars
Because Sergio Leone didn’t make films set in Europe or ones that obviously dealt with the continent’s problems, he has been excluded from the pantheon of its greatest postwar auteurs: Cocteau, Bergman, Fellini, Godard, Fassbinder, Truffaut, and Antonioni. (...)
Red Desert Revisited
Michelangelo Antonioni’s Red Desert (1964) is one of the most beautiful films ever made about ugliness.(...)
Germany, Year Zero, Today
It’s hard to watch Roberto Rossellini’s 1948 film Germany, Year Zero to its conclusion. The mood is relentlessly bleak and the landscape bleaker still.(...)
400 Blows After Netflix
François Truffaut’s The 400 Blows is one of cinema’s all-time classics, the 1959 film that demonstrated how deftly a new generation of French critics could transform themselves into the filmmakers of la nouvelle vague.(...)
What Will Smith Should Have Said
Until the End of the World, Director’s Cut
The director’s cut of Wim Wenders’ 1991 film Until the End of the World is both a masterpiece and a remarkably astute commentary on its demise as an artistic category, shattered into fragments by the technological advances it both celebrates and repudiates.(...)
Reconsidering Susan Sontag, Part II
Even as Susan Sontag’s celebrity has dimmed, the time she spent in battered Sarajevo in the 1990s, directing Samuel Beckett’s Waiting for Godot remains a touchstone in discussions of intellectual engagement.(...)