Rob Smith’s Jungle Archive Collection 1 and 2
How can we think about music historically without turning it into a museum piece, a beautiful butterfly impaled on a pin? Bristol legend Rob Smith’s new Jungle Archive Collection 1 and Jungle Archive Collection 2 pose this question forcefully.(...)
TLM Presents…Vol.2: To Be Discontinued
Thirsty Leaves Music’s new compilation TLM Presents. . .Vol.2: To Be Discontinued makes for invigorating listening. Although most tracks incline towards ambient electronica, there’s enough rhythmic grit to distinguish them from soundscapes that refuse to provide a foreground.(...)
Everywhere But There, by Joel Schalit
Battleground editor Joel Schalit’s new album Everywhere But There forcefully demonstrates the need for a new kind of political reporting, one which presents the world as it actually is instead of distorting it in the pursuit of profit.(...)
Web of Lies/Death Won’t Even Satisfy, by AMMO
On their debut full-length Web of Lies/Death Won’t Even Satisfy, AMMO reminds us that hardcore punk can embrace more musical diversity than we tend to think.(...)
The Adrestia Interview
Adrestia are one of the most important hardcore bands in Sweden today.(...)
A Brief Moment in the Sun, by Soulside
That the first song on Soulside's new LP ends with a sample from a 1952 American civil defence film Duck and Cover, about a nuclear apocalypse, says it all.(...)
Culture from the Slums, by Jeff Hayton
Based on the flurry of academic titles about it over the last decade, punk has become as common to college curriculums as it is to the Top 40. Why this took so long is baffling.(...)
Climatic Rock, by Anduela Keku
The two tracks on Anduela Keku’s new EP Climatic Rock take listeners through a seemingly barren wasteland, a space defined by monotony, with nothing to focus on but the road ahead.(...)
Here’s What You Could Have Won, by Kid Kapichi
When Kid Kapichi declare “You’re such a fool, Brittania” midway through New England, the opening track of their sophomore album Here’s What You Could Have Won, they aren’t just decrying the self-sabotage of Leave supporters, but also situating themselves in music history.(...)